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Product details

File Size: 1352 KB

Print Length: 192 pages

Publisher: Open Road Media Teen & Tween (August 19, 2014)

Publication Date: August 19, 2014

Language: English

ASIN: B00M7JBQP0

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Amazon Best Sellers Rank:

#714,025 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have always loved the Saddle Club, and have read every single book in that series. But after starting to read Pine Hollow I was disappointed. I liked the accident in The Long Ride, very suspenseful, but this was probably the best book. They are well written, but after reading the Saddle Club, a bit of a letdown! For example, Belle, Starlight and Prancer were rarely mentioned, ditto Max. And this seems to be more of a romance series then a horse series. I'm not completely against romance, but Bonnie Bryant is advertising this as a horse series so of course horse lovers are going to read it. I am 13, totally horse crazy, and I know that when I'm Pine Hollow age I will still be mad about and involved in horses! Bonnie Bryant is a wonderful writer, but the Pine Hollow series needs a little work, and that's my $0.2...

When I was in second grade, I started reading the Saddle Club series by Bonnie Bryant. There were a total of about 15 books about Stevie, Carol, and Lisa. I loved the books. I kept reading them and buying them as they came out. When I was a older and in 5th and 6th grade I was getting a little old for the series and was reading them more and more sparingly. Now Im in 8th grade and hardly ever read the Saddle Club. They were just to juvenile and never got older. But when Pine Hollow: The Long Ride came out, I was very excited and couldn't wait to read it. I finally got my hands on it and couldn't stop reading. It had much more of a plot than the other books and was definitely more up to my standards. It also contained other things besides horses to make the book more interesting. I loved every word of it. Thanks Mrs. Bryant and keep up the good work!

What happened to the saddle club? The rules were must love horses and must help each other! They broke both these rules many times in this book? In the saddle club, it seemed like Carole, Stevie and Lisa were my best friends, in this book it seemed like they were my worst ememys! Who wrote this book? not Bonnie Bryant! I just know that after 111 touching, exciting, funny horsey books she couldn't just throw it all away! What happened? It's like a nightmare! I've been reading the saddle club for years, and this is about totally different people. No one could go from a wonderful person to the most terrible person in the world in a few years? Lisa dating Alex? Veronica married? Stevie giving up practical jokes? Carole selling Starlight? I THINK NOT!! A trillion thumbs down!!

I thought this book was good. But i also have to admit, i picked it up for the first time and put it back on the shelf thinking it wouldn't have enough horses in it. I went back and got it, and loved it. To all those people out there who are complaining that there are not enough horses in it, Ms. Bryant can't please everyone. The characters are not perfect, but not awful. To all you readers, I hope you will give Pine Hollow a try. This book displays teen views and problems in real life, plus it talks about horses. Also for me, if i wanted more INFORMATION about horses, I would just get a real book on horses. I think it is great what Ms. Bryant is doing with her new series. The characters are growing up, so she should write them like they are. Your books are great Ms. Bryant, keep up the good work!

After reading the saddle club book I was getting worried because as I grew older the girls never seemed to. No matter now many times Carol had a birthday she never got older. Now I finally feel they have caught up. I started reading them when I was 10 and I'm now 17 so feel that this new series is making the saddle club more realistic. I am having problems though with should I continue getting the saddle club series whilst buying the pine hollow series.

To those of you who are wondering, "Where are the horses," think about it. I personally love the Saddle Club...it's a great book to relax to, to feel happy about. But really, Pine Hollow is a more mature series, one that taps into reality more than the Saddle Club. In real life, problems can't be solved by one thing: horses. In real life, things are hard, complicated, and unfair. Life is, at times, like a soap opera. It doesn't revolve around horses. If you want that kind of story, then the Saddle Club is still there...but if you want a more down-to-earth series with more realistic occurings, then Pine Hollow is for you. For someone who made a comparison of Pine Hollow and Sweet Valley High, where have you been? Car accidents happen. Witnessing 800,000,001 murders throughout your whole lifetime doesn't. All in all, Pine Hollow is a great series that will appeal to many people.

I used to love the saddle club because the stories were always spirit-lifting and TOTALLY about horses.If I couldn't be riding, I'd be reading one of the saddle club books.But eventually, I outgrew them.I was thrilled when I learned about the Pine Hallow series.A horse series for teens!I don't think I have ever been so dissappointed before I read that horrible book.Did B. Bryant team up w/ the writer of Sweet Valley High?!?!She doesn't even MENTION the saddle club.The Long Ride Home is the first & last book in that series that I purchased.SORRY!

I have not read "The Long Ride"--yet! But, I have read the excerpt (standing in the middle of Wal-Mart) out of the Saddle Club book "English Rider." I think it's going to be an excellent book. If you haven't read the excerpt yet, you should. Especially if, like me, you used to read the Saddle Club books, but stopped because they were getting too young for you. I think Pine Hollow promises to be a great new series about Lisa, Stevie, and Carole. Thanks, Bonnie Bryant! Happy Reading!!

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Free PDF Improvise: Scene from the Inside Out

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Improvise: Scene from the Inside Out

Free PDF Improvise: Scene from the Inside Out

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Review

Award-winning director and experienced improv instructor Mick Napier presents Improvise.: Scene from the Inside Out, now in an expanded and revised second edition with additional tips, tricks, and techniques as well as a full reproduction of Napier's web journal from his time directing "Paradigm Lost" for The Second City. Chapters teach the reader about the oft-misunderstood art of improvisation - creating performance art (comedy, drama, or what-have-you) on the spot with no script, whether by oneself or as part of a group. Topics covered include how to use context to one's advantage, two-person scenes, balanced large-cast scenes, advice for successful auditioning, solo exercises one can practice at home, and much more. Actors of all walks of life (whether their primary venue is improv-heavy or not) will directly benefit from Napier's expertise; comedian and talk show host Stephen Colbert certainly did, as he testifies in a brief yet hilarious foreword! --Midwest Book ReviewMick Napier's Improvise contains excellent examples of actual development of improvisational ideas, showing how dialogue can be improvised and developed with specificity. The Wizard of Oz example is often used, and makes it easy to identify with each of the techniques as they are introduced. The book contains many practical ideas throughout and the breadth of the book is excellent, especially for those who are serious about considering entering the world of improvisation professionally or even as a hobby. Further, audition techniques and a journal from his work with Second City take us into the real world of improvisational theater and help many who are interested in moving in that direction. Mick Napier has really created an exceptional handbook for improvisation. --Reader's FavoriteNapier, founder of Chicago's Annoyance Theater and a veteran Second City director, is the author of my favourite how-to improv book, Improvise: Scene from the Inside Out. --Chris Hannay, Improv Embassy, Ottowa, Canada

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About the Author

Mick Napier is the founder of the acclaimed Annoyance Theatre in Chicago and New York, as well as aDirector and Artistic Consultant for The Second City, the most influential and prolific comedy theater in theworld. Napier is known both nationally and internationally as an innovator and creative force in comedy,improvisation, and theater.With the Annoyance, Mick has spent more than 25 years developing and cultivating a style of work andproduction that has been both acclaimed and imitated. As a Director and Artistic Consultant for the globallyrenowned Second City, he made his mark, having directed more than 10 revues there including the 40th and 50thAnniversary revues, and Paradigm Lost, which earned him a Joseph Jefferson Award for Direction. Throughouthis career, Mick has directed such high profile actors and writers as Aidy Bryant and Vanessa Bayer (Swear Jar),Tina Fey, Jason Sudeikis, and Stephen Colbert (The Second City), Martin Short (Martin Short & Friends,) JeffGarlin (I Want Someone to Eat Cheese With), and David and Amy Sedaris in their Obie Award-winning hit OneWoman Shoe.

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Product details

Paperback: 272 pages

Publisher: Meriwether Publishing Ltd; Second edition (August 17, 2015)

Language: English

ISBN-10: 156608198X

ISBN-13: 978-1566081986

Product Dimensions:

5.5 x 0.8 x 8.5 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

86 customer reviews

Amazon Best Sellers Rank:

#37,528 in Books (See Top 100 in Books)

"Annoyance-Style Improv" is not what the general public pictures when the words "improvisational theater" come to mind, yet the Annoyance Theater and its alumni have had a grand impact on improv worldwide - an influence that is continuing to be felt well outside of Chicago.For most students of improv, "Impro" by Keith Johnstone is still considered the primary reference. Mick Napier has written a book that is arguably every bit as (or more) important. In a relatively short manual, Napier discusses how to create more natural work that breaks many of the traditional rules and conventions of improv and stands on its own.I have been producing and directing improvisational theater since 2004 and, for the past several years, this book has been required reading for every single person who has entered the group. I cannot recommend it highly enough.

So far I've read Chalma Halpern's "Truth in Comedy", Viola Spolin's "Improvisation for the Theater", Keith Johnstone's "Impro", and now this book, and I would say this one has the most useful information as far as *becoming a better stage improviser" goes. What I mean is that it is full of tips, advice, and useful things to consider, and seems meant for someone who has already knows a little bit about the BASICS. Mick Napier asks the reader to rethink some of the "rules" that the basic improv teaching lays down, while adding some important insights of his own.In this sense, I think that "Truth In Comedy" is the best INTRO to improv, for someone just starting out. Then, I'd recommend "Improvise: Scene From The Inside Out" as a necessary followup, and then Keith Johnstone's "Impro" as a whole new viewpoint and also a deeper insight into the philosophy of being in the moment. (By the way, I would avoid the Viola Spolin book - it's written in a strangely stilted, boring, hard-to-read style, and really contains no memorable information).Particularly useful in Napier's book are the "Exercises To Do At Home", which is something I've been looking for - most other books have exercises which are meant to be practiced in a group setting.I found the chapter on "Improvisation & the Second Law Of Thermodynamics" to be unnecessary though - it didn't really add anything and seemed to be sort of a weird tangent. Luckily, it's short.Anyhow, after reading this book I really do feel as if I understand a lot more about what separates a "great" improviser from a merely "good" one. Now comes the hard part - PRACTICING & GETTING UP THERE AND DOING IT!!!P.S. I was recommended this book by Dustin Sharpe, my Improv instructor at the Acting School of South Florida, and also a member of the awesome improv group Mod27. Thanks Dustin!

Really enjoyed this book, especially that it provides tangible exercises you can do with a group or individually, and provides concrete/real-life examples of dialogue and situations as examples. A very practical book for improvisers! I reference different parts of it often just to keep certain skills top-of-mind.

I've taken 4 levels of improv so far, so I'm at an intermediate level. This book contains specific exercises you can do, specific things you can try, specific advice you can apply, and specific things to think about - no fluff, just great writing. It's fun to read this book even if you don't need to improve your improv!

Great book. Different philosophy about improv than other books I've read on the subject. Great exercises you can do by yourself to improve your skills.

Mick Napier claims to not lay out any rules. Not strictly true, but the point holds: thinking about what to do and what not to do won't help you advance a scene. Napier's new rules and explanations should help anyone who's done some improvising, and knows the feeling of a scene never taking off. If you don't know that feeling, I'm not sure that this book will connect.I found 'Improvise' much more helpful than 'Truth in Comedy' for actual scene work and, as everyone notes, less preachy and self-congratulatory. That's not to say that 'Truth' isn't worth your time, just that if I had to pick only one it's this one.Also, Napier includes exercises that one person can do on their own, which I found very helpful. These are mainly oriented toward developing mental muscles that allow you to make bigger, quicker leaps in thought, and get comfortable with first thoughts and going with your gut. So, good exercises for just being a human.

This is my favorite book about improv. Mick Napier builds up improv with a deep understanding of humor, performance and the self. It's not about rules, it's about strategies, motivations and goals. He has a number of concrete exercises I use for myself and with students.

I've been needing to add improv skills to my acting resume for a while now, and had several books on my wish list. Then I got the chance to take a class, which recommended this book. Improvise: Scene from the Inside Out is quite possibly the only improv book I'll ever need!It is easy to read, explains "The Rules" clearly and also explains why _not_ to follow them (or at least get them out of your head), and I was able to put the suggestions to work in class straight away. The examples of good and bad improv scenes for each situation/suggestion make it clear that the death of improv is being in your head too much.I think even actors who go from the outside in for their characterizations will be able to follow and use this book, and I also believe that people with no acting or improv experience whatsoever will be able to skip the "bad" area of the improv meter and spend less time in the "dork" area before hitting the "great"!

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